Reclaiming his place as the voice of the Bronx street rap scene, Don Q is back in his element, offering the enhanced lyricism and iron-tough punchlines that his loyal fanbase have waited for. Despite the criticism he may face along the way, Don isn’t moved by the “Slander,” sharing his recent Double Or Nothing visual. Over upbeat production by Dizzy Banko (Lil Wayne, Dave East, Pop Smoke, etc.), “Slander” is Don’s audible middle finger to his haters as he flexes his street cred and answer the calls for his return to the rap game (“In the streets, I’m a goat and they treat me like Christ/That’s why they all wait til the day I return”). The visual finds Don keeping an eye on surveillance cameras as he plays a high-stakes craps game with his homies. Similar to craps, Don makes it clear that betting against him is a risky gamble.

Reclaiming his place as the voice of the Bronx street rap scene, Don Q is back in his element, offering the enhanced lyricism and iron-tough punchlines that his loyal fanbase have waited for. Despite the criticism he may face along the way, Don isn’t moved by the “Slander,” sharing his recent Double Or Nothing visual. Over upbeat production by Dizzy Banko (Lil Wayne, Dave East, Pop Smoke, etc.), “Slander” is Don’s audible middle finger to his haters as he flexes his street cred and answer the calls for his return to the rap game (“In the streets, I’m a goat and they treat me like Christ/That’s why they all wait til the day I return”). The visual finds Don keeping an eye on surveillance cameras as he plays a high-stakes craps game with his homies. Similar to craps, Don makes it clear that betting against him is a risky gamble.